COLLECTIONS

GALLERIES AND MUSEUMS SERIES

The ash, the inert material chosen to facilitate the detachment between the mold and the “mud”

UFFIZI

gives this handmade terracotta the authentic aging of the great masterpieces of the Florentine Renaissance.

The red brick dust characterizes the decisive colour of this surface

ACCADEMIA

The typically Florentine bright red colour was chosen on the occasion of the museum’s restoration. The low thickness extends the possibilities of use.

The lime on the surface was chosen to detach this whitish patina terracotta from the manual frames.

PALATINA

For once what is white is not aseptic but expresses all the warmth that terracotta is capable of.